Our last stop on the virtual tour of Fort Johnson by way of wartime photos a view that promises the most interesting of all.
This view looks across the interior of the fort to the north with several features to the front of the water battery in view. The perspective is depicted on the diagram below, designated as FJ10.
NOTE: Going back to review the diagram for this post, I realized points FJ7 and FJ8 were a bit out of alignment. Those points have been corrected on my diagrams.
Unfortunately, for all that promise this photo’s preserved state lets us down. I’ve never seen a digital copy of this photo from either a high resolution print or the original glass plate (if one exists… I’d love to see it!). So what we are left with are grainy glimpses of what would be an incredible view of Charleston harbor. But let’s work with what we have.
To the front left we see the chimneys and “pavilion”:
The points from which FJ7 an FJ9 were taken are in view, or at least close to the left side of this view. We also see the pyramids of 10-inch projectiles and the stack of boxes containing 7-inch Brooke bolts. Panning to the right of that stack of boxes, we see more of the familiar pyramids and also the cistern:
The bucket is on the opposite side of the cistern, as compared to the view from FJ8. But we get a better perspective to see it’s layout. A large circular stone structure with a square wooden platform on top.
Still further to the right, we see the tent featured in several of the other photos:
From this side, we see the rails used to anchor some of the lines. We also see the tent has a wooden door, doorstep, and door frame. In other words, further confirming this tent’s status as a deluxe model for its day. Notice also to the extreme right the pyramid of bolts for the Brooke.
In all of those crops, we see the interior feature of the earthworks. Several cuts seen in the works are the entrances to the gun galleries. Looking to the first 10-inch Columbiad’s position, we see the “V” shaped cut.
Looking beyond the works, just beyond, we see a the large wheels of a sling cart. That should be the same sling cart seen at the edges of FJ4.
Extending out to the upper right of frame in that crop is a jetty which intersects at the fort’s wharf. So let us pan slightly to the left and out to consider the wharf… to look across the harbor:
The wharf itself is worthy of note. A lot of history occurred at that wharf, when you consider the war from its first days right up to the end. I cannot identify the steamer tied up there, given the resolution. But it appears to be a typical light draft paddle wheel type.
What lies beyond is even more interesting. Consider the perspective offered in relation to the harbor charts:
As this looks right across to the north, the camera gave us a view of Fort Ripley, an artificial structure built by the Confederates during the war. Somewhere in the fuzzy distance is Castle Pinckney. A historic anchorage to say the least. I’d be interested, if a better digital copy emerges at some point, if this photograph captured a glimpse of the obstructions in the harbor. Such would add a visual to go with Rear-Admiral John Dahlgren’s written observations.
Since we are looking beyond the fort for the moment, let me mention the other vistas offered in these Fort Johnson photos:
I’ve flipped FJ10 to yellow in this diagram. FJ1, with angle of view in light blue, is representative of three photos looking across the front of Fort Johnson with Fort Sumter in the background. And FJ4, with perspective indicated in green, looked back towards Charleston with a teasing glimpse of White Point.
This concludes the photos from this set. Again let me emphasize the coverage offered by these photos:
Fort Johnson was “front line” from the start of the secession crisis, throughout the war, and right up to the end of hostilities… well a couple months shy. These works were a cornerstone to the Confederate defenses of Charleston. Likewise Fort Johnson was an important tactical objective for the Federals. And these photos provide us a magnificent examination of the fort to include structure, armament, and fixtures. Scarcely an inch of the fort escaped the camera lens.
And this is important. You see, Fort Johnson is sort of a “lost landscape” from the Civil War perspective:
As I mentioned at the start of this series, the surveys and photos taken at the end of the war serve us well when studying this site. They show us “what was.” That said, I’ll conclude this series in my next post by looking at the past and present views of Fort Johnson.